MALAIKA LYRIC: Who was the real composer? (QUESTION FROM AFC)

According to WIKIPEDIA "Malaika" is a Swahili song written by Tanzanian Adam Salim in 1945. This song is possibly the most famous of all Swahili love songs in Tanzania, Kenya and the entire East Africa, as well as being one of the most widely known of all Swahili songs in the world. Malaika in this context means "angel" in Swahili, and this word has always been used by the Swahili speakers to refer to a beautiful girl.

The lyrics of the song differ slightly from version to version; the title itself is subject to variation, such as "Ewe Malaika" or "My Angel"

Resultado de imagem para malaika liricky picture

For the Islamic concept of Mala'ika means "angels"

According to WIKIPEDIA "Angels" (Arabic: ملائكة‎ malāʾikah; singular: ملاك or مَلَكْ malāk) are celestrial beings, created from a luminious origin by God, endowed this different duties to perform. The Angels from the angelic realm are subordinates in a hierarchiy headed by one of the Archangels in the highest heavens. Belief in Angels is one of the six Articles of Faith in Islam.

Authorship and covers

Authorship of this popular song is still very controversial. However, most people accredit its authorship to Adam Salim, a not-well-published Tanzanian songwriter. Salim (born in 1916) composed this song while he was living in Nairobi between 1945–46. According to this story, Adam Salim composed "Malaika" song in 1945 for his very beautiful girlfriend Halima Ramadhani Maruwa. Their parents disapproved of their relationship, and Halima was forced by her parents to marry an Asian tajir (wealthy man). Fadhili William, a Kenyan singer, is also associated with the song because he is the first person to record it. Producer Charles Worrod provides yet another version, crediting the song to Grant Charo, William's brother-in-law (see Ondevo 2006), a claim which is also associated with the fact that Fadhili William was the first person to record the song. Charo is not known to have confirmed this claim.

Another East African claiming to have written the song is Lucas Tututu from Mombasa.

Although Fadhili William has always insisted on his authorship of "Malaika", even providing a detailed description of the circumstances in which he wrote it, he is only recognized as the composer for royalty purposes. In any case, William was the first to record the song, together with his band The Jambo Boys, in 1960.

It was later re-recorded at Equator Sound Studios by the British-born Kenyan music promoter Charles Worrod, who marketed the ballad to eventually becoming an internationally acclaimed song.

Miriam Makeba's early recording helped make it famous throughout the continent and eventually the world. Her performances of the song brought it to the attention of such famous names as Harry Belafonte, Pete Seeger, Boney M, Usha Uthup and Angélique Kidjo.

The song has been covered by many other international artists such as The Brothers Four, Helmut Lotti, Hep Stars, Rocco Granata, Saragossa Band and is a staple for many African musicians.

Lyrics and meaning

The lyrics of the song differ slightly from version to version, with verses commonly rearranged, omitted, or combined. The Swahili dialect is likely Tanzanian, possibly Kenyan. Kidjo's and Makeba's versions — as others — pretty badly mangle the Swahili.

The early Fadhili William recording (1959) has only two verses. However, Miriam Makeba's recording has a third verse (the Pesa… verse) and a later record by Fadhili also has the Pesa verse.

The song is sung by a poor young man who wishes to marry his beloved "Angel" or "Little bird" but is defeated by the bride price.

The original text and the translation by Rupert Moser originally into German is:

Malaika, nakupenda Malaika

Angel, I love you angel

Malaika, nakupenda Malaika

Angel, I love you angel

Nami nifanyeje, kijana mwenzio

and I, what should I do, your young friend

Nashindwa na mali sina, we,

I am defeated by the bride price that I don't have

Ningekuoa Malaika

I would marry you, angel

Nashindwa na mali sina, we,

I am defeated by the bride price that I don't have

Ningekuoa Malaika

I would marry you, angel

Kidege, hukuwaza kidege

Little bird, I think of you little bird

Kidege, hukuwaza kidege

Little bird, I think of you little bird

Nami nifanyeje, kijana mwenzio

and I, what should I do, your young friend

Nashindwa na mali sina, we,

I am defeated by the bride price that I don't have

Ningekuoa Malaika

I would marry you, angel

Nashindwa na mali sina, we,

I am defeated by the bride price that I don't have

Ningekuoa, Malaika

I would marry you, angel

Pesa zasumbua roho yangu

The money (which I do not have) depresses my soul

Pesa zasumbua roho yangu

the money (which I do not have) depresses my soul

Nami nifanyeje, kijana mwenzio

and I, what should I do, your young friend

Nashindwa na mali sina, we

I am defeated by the bride price that I don't have

Ningekuoa Malaika

I would marry you, angel

Nashindwa na mali sina, we

I am defeated by the bride price that I don't have

Ningekuoa Malaika

I would marry you, angel

The version by German band Boney M. is the first single taken from their fifth album Boonoonoonoos (1981). It peaked at in the German charts, their lowest placing so far after their commercial breakthrough. Boney M. would use the double A-side format in this period, typically with the A1 being the song intended for radio and A2 being more squarely aimed at discos. "Consuela Biaz" was first promoted as the A-side in Germany where the group performed it in pop show Musikladen. After a promotional visit to Spain where the group found "Malaika" had become a Top 10 hit, the title was remixed and then promoted as the A-side. It was the second consecutive Boney M. single not to be released in the UK, and their first not to be released in Japan.

The original German and Spanish 4:30 single mix featured no percussion ad-libs and most notably, after the second verse it has a key-change to a drum, handclaps and a cappella chant before the song quickly fades. When producer Frank Farian remixed the song for the 12" single and a new 7" edit, he added more percussion and synth and deleted this key-change part, replacing it with an outro with himself singing "Wimoweh, wimoweh" (deliberately borrowed from another African tune "The Lion Sleeps Tonight").

Personnel

Lead Vocal: Liz Mitchell
Backing Vocals: Liz Mitchell, Marcia Barrett, Frank Farian, La Mama (Cathy Bartney, Patricia Shockley, Madeleine Davis).

Releases

7" Single

"Malaika" (Original single mix) - 4:30 / "Consuela Biaz" (Early version) - 5:05 (Hansa 103 350-100, Germany)
"Malaika" (Single remix) - 5:02 / "Consuela Biaz" (Single remix) - 4:57 (Hansa 103 350-100, Germany)
"Malaika" (Single remix) - 5:02 / "Consuela Biaz" (Unedited single remix) - 5:20 (Pepita SPSK 70518, Hungary)

12" Single

"Malaika" (Long Version) - 5:42 / "Consuela Biaz" (Single remix) - 4:57 (Hansa 600 400-213, Germany)

1989 Remix

"Malaika (Lambada Remix)" is a 1989 single by German band Boney M., the only single taken from their remix album Greatest Hits of All Times - Remix '89 - Volume II. Although sampling bits of the original 1981 recording, it was more a re-recording than a remix since lead singer Liz Mitchell recorded new vocals for it, being the only member present on this recording since the other three original members Marcia Barrett, Bobby Farrell, Maizie Williams who had teamed up with singer Madeleine Davis had been fired by Farian.

Germany

"Malaika" (Lambada Remix) - 2:59 / "Baby Do You Wanna Bump" (Remix for the 90s) - 3:35 (Hansa 112 809-100, 1989)

12"

"Malaika (Lambada Remix - Long Version) - 5:02 / "Baby Do You Wanna Bump" (Remix for the 90s) - 3:50 / "Happy Song" (French Kiss Remix) - 5:17 / "Malaika" (Lambada Remix - Radio Version) - 2:59 (Hansa 612 809-213, 1989)

"Malaika (Lambada Remix - Long Version) - 5:02 / "Baby Do You Wanna Bump" (Remix for the 90s) - 3:50 / "Happy Song" (French Kiss Remix) - 5:17 / "Malaika" (Lambada Remix - Radio Version) - 2:59 (Hansa 612 809-213, 1989

Miriam Makeba